surprise entrance of dancer Daina Shukys toward the end of the set. Exuding sensuality, the dynamic Ms. Shukys, finger cymbals aloft, meshed beautifully with the ever-expanding spirals of musical agitation... by the talent and sincerity of Ms. Shukys and the musicians. Again, Steig has dared to be different, to explore,to probe.
Chuck Berg- Downbeat Magazine
Marvin Horne played with (drummer) Elvin Jones and Defunkt. He's the best jazz guitarist I've ever had the pleasure of working with. He can play a steady stream of the most beautiful, melodic eighth-notes you'll ever hear, and never play the same thing twice. He's from St. Louis and he's still playing.
Vernon Reid - Guitar Player magazine March 1989
Dear Jeremy Steig,
On behalf of JAZZ FORUM, the magazine of the International Jazz Federation, I would like to congradulate you on being voted the world's top flutist in our 16th annual international 1982 JF Top People Poll....
Keep swinging,
Pawel Brodowski, Editor-in-Chief
Grove on! Here is a cool song with a soul, it makes me feel like I am listening to a indian mix with a touch of african, very mysterious beats and the amazing touches of bells and drums. This is a very special song, that you want to listen when you are trying to get some creativity or inspiration to make something. The theatrical voice of the singer is very special and mystical, she is passionate and have very good vibrations and tones that make you vibrate and relax. It sounds like a religious song that will bless you and inspire you to rebirth and travel into heaven. The arrangements are great, they know how to play the instruments and put them in the right place and on the right layer. This band knows what they are doing, I can assure that they will have a success in the crowd when they play their heavenly music. I like to hear more of this spiritual music! (review of "Voodoo Queen"
